The origin

Two names, one house

DeRossi was born from Henrique Delorensi and Igor Rossi. Two surnames fused into one signature — and a challenge between the two that became a language: rebuilding a car in stacked steel laminae.

To reread, not to reproduce. Each piece is an authorial reading of the icon, made of cuts through time — with design freedom where the line asks for it.

Between one lamina and the next, the void is part of the form. It is the interval of air that gives movement to a still silhouette — the piece changes as the viewer moves.

The first piece the house made
The first piece the house made

How it is born

Drawing, cut, paint, stack.

Every lamina is a section of the car. It starts as an outline on the screen, leaves the sheet under the laser, takes its paint hanging in the booth, and only joins the stack once the edge has been filed by hand.

Ten seconds of the shop floor, in the order the piece happens
The lamina outlines nested on the sheet, before the cut
The lamina outlines nested on the sheet, before the cut
The cutting head running across the steel sheet
The cutting head running across the steel sheet
The lamina hanging in the booth, taking the black
The lamina hanging in the booth, taking the black
The aluminium ring filed by hand
The aluminium ring filed by hand

The piece

Steel above, cabin below

Each sculpture is the icon rebuilt in laminated steel, over a base that brings the cabin outside: dark leather, stitching, engraving.

Laminae

Dozens of laser-cut steel laminae, stacked with equal air gaps. The machined edges light up — the visual signature of the house.

Rings

In place of wheels, hollow polished aluminum rings — open-centered cylinders. The only bright element on the piece.

The base

The body floats over dark brushed steel, resting only on the rings. Seat in leather or microsuede, with tone-on-tone stitching — or in the car's original color.

Engraving

House, model and unit engraved in steel, filled in bronze. Each piece is one among few: 07/25 is 07/25 forever.

Scales

From the desk to the floor

Four scales, from the 1:16 that fits on a shelf to the 1:2 that owns the floor. The ladder is one of size — never of quality: the 1:16 carries the same leather base, the same engraving and the same ritual as the 1:2.

1:16≈ 11 in

Desk, shelf, gift. The smallest of the house — same ritual, less room.

1:16 piece on a wooden desk, next to a watch that gives the scale
1:10≈ 18 in

Desk, shelf. The entry to the collection — and the definitive gift.

DeRossi box open like a book with the 1:10 piece in its cradle
1:4≈ 3.7 ft

Shelf, office. The piece the room arranges itself around.

1:4 piece on an executive desk in a sober setting
1:2≈ 7.4 ft

Sideboard, floor. Room-scale presence.

1:2 piece in a dark luxury interior

Same piece. Different space.

Every piece is made by reservation — a counted few.

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